Ghostface Says Wu-Tang Clan Album is “Bullsh*t”

In Part One of our exclusive Sucker Free Blog interview with Ghostface, he offers his thoughts on the new Wu-Tang Clan album, 8 Diagrams:

“I feel that the new Wu-Tang album is bullsh*t. Coming from nine individuals, 10 individuals. But it’s not really our fault. Rza chose a certain selection of beats and he wanted brothers to get busy off that. Nobody else make beats in there, so that gotta come from him…. To be so highly anticipated, he should have waited and came with a mega bomb and it did it right.”

Check back Monday for part two!

Jam Master Jay Tribute Concert Hits NYC

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Last night I was lucky enough to attend one of the best concerts, for one of the best causes, to hit New York City in some time. It was a Jam Master Jay tribute concert, with the J.A.M Awards, created by Jay’s wife Terry Corley-Mizell and the Jam Master Jay Foundation to honor certain members of the hip-hop community for their outstanding contributions to social justice, the arts, and music (J.A.M.). While honorees included Wyclef Jean and Chuck D (who both weren’t in attendance), among others, it was the concert itself that brought the burbs and the hood together at Hammerstein Ballroom to honor Jay’s memory.

After an intro by DMC and Terry Corley-Mizell, Kid Capri took to the stage and brought out De La Soul. They ripped through tracks like “Buddy” and “Stakes is High” before exiting stage left so that Mobb Deep could rock sans the H.A.V.O.C. Instead, Prodigy, flanked by Big Noyd and what seemed like the entire Queensbridge in “Free P” shirts (because Prodigy will soon be heading off to jail on a gun charge, rocked a twenty minute set that saw him go through tracks like “Give Up The Goods,” “Keep It Thoro,” and “Shook Ones.” As for Hav’s absence, Prodigy said Hav just couldn’t make it. Perhaps there’s more to that story.

Then the hip-hop generation’s Bill Cosby, Reverend Run, took to the stage for what seemed like a rather short cameo. I thought he’d have something profound to say considering the fact that Jay was his DJ, but all he really did was introduce Long Island’s finest, EPMD (Erick and Parrish Making Dollars, for the young folks out there). Erick Sermon and Parrish Smith looked rejuvenated on stage, and performed “You Gots To Chill” and “Headbanger,” among others. When LL entered stage left during their set, the crowd went crazy and the flashes from camera phones lit up the venue.

The evening’s highlight was when big Snoop Dogg hit the stage. He came out rocking a dookie rope chain, fedora, and Adidas sweatshirt and performed Run DMC’s hit “Sucker MC’s,” which DMC himself got on the stage to spit the last verse for. Then the Doggfather entertained the crowd with “Gin and Juice,” “Nuthin But a ‘G’ Thang,” and “187,” before captivating the audience with “The Next Episode” and “Drop It Like It’s Hot.” Earlier in the day, Snoop spoke to Sucker Free exclusively, and said, “Jam Master Jay was a real cat, somebody who I was personally inclined with, so any time his wife and the people come and ask me to be a part of this, it’s nothing. I get a chance to rock with DMC tonight so I get to act out my dream of being Run.”

Following Snoop was a J.A.M. music award given out to Wyclef by Biz Markie and Marley Marl, but Clef wasn’t there to receive it. So M.O.P. hit the stage and performed “Ante Up,” and “Cold As Ice.” Following the Brooklyn brawlers, former House of Pain front man Everlast came on with Cypress Hill producer/DJ Muggs, and proceeded to play electric guitar over drum breaks, and sing a to bunch of songs that this crowd of hip-hoppers didn’t know. He even did a Johnny Cash song! It was a welcome bit of rock during a night of hip-hop.

It seemed like a half hour passed before Dead Prez came on to do “Hip-Hop.” Papoose followed, but even after performing the exhausting “Alphabetic Slaughter” a capella, he could barely get a rise out of a crowd that was too tired and too drunk to clap for his mixtape hits. Jim Jones and Juelz Santana came out, performed “We Fly” and other Dip Set material, then Raekwon ran through some Wu-Tang classics before the night ended.

The show was long and exhausting, but only because there were so many acts billed. And that’s not a bad thing. It was actually rewarding to know and actually see what Jam Master Jay meant to these artists. Plus the line to get in stretched all the way down 34th street. So Jay’s memory lived on for another day last night, and the J.A.M. Awards and tribute concert just cemented his legacy even that much more in the hearts of hip-hop fans.

Jay-Z On How To Make A Storybook LP

In part four of MTV.com’s exclusive interview with Jay-Z, the God emcee goes into detail about how the sequencing of an album (read: the order in which the songs appear) can make or break a project. He says albums need to have an arc, or build-up, like the three acts in a movie. He goes into detail describing what I personally like to call “a carwreck,” which is when songs on a particular album don’t blend with each other. When it sounds like just a hodgepodge of different tracks. Jay offered the following:

“You don’t want to be here and there, a fast-tempo [song] that has nothing to do with this record, you know? …[O]n Rihanna’s album, ‘Sell Me Candy’ and ‘Say It,’ they both have this reggae sense, [so] they go together. When you listen to it, it’s not abrupt. It’s not this fast, loud dance song then it’s a slow ballad, then it takes you back. It has a flow. [It’s] almost like a DJ would do.”

Make sure you check out yesterday’s installment , where Jay talks about his methods for collaborating with people, working with Rick Rubin, and the Notorious B.I.G.

Nas Reveals Info About Upcoming Album

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Nas left off a firestorm of controversy a few months back when he revealed that he’d be calling his upcoming album Ni**er. Originally slated for a December release, the project will now be hitting shelves in February of 2008, which is Black History Month.

In talking with MTV News, Nas offered additional info about what type of content to expect on the album:

“I have a song called ‘The Fear.’ The full title of the record is ‘The Fear of the Black Man’s D—.’ That’s some sh– you can get comedy [from], or you can get some seriousness from it when you talk about the barbaric castrations that happened in our past — which is very serious, nothing to laugh at.

Regarding a song about all racial slurs, not just the word “Ni**er,” he said:

“It’s about the attacks that have happened to blacks, whites, all ethnicities,” he continued. ” ‘Mick’ niggers, ‘guinea’ niggers, ‘kike’ niggers. I have a song called ‘You a Nigger Too.’ “

Jay-Z Talks About Hidden Meanings Behind His Rhymes

In the second installment of MTV.com’s exclusive four part interview with Jay-Z, he speaks at length about how he uses coded references (for example: Britney Spears alleged drug usage in a line from “Roc Boys”) to metaphorically make certain statements without flat out saying them. Jay says:

“… it’s not your typical punch line, and you can’t guess it. You know how sometimes someone says a line and you can guess the second one, where they’re going? You can’t guess it or can’t see it [with me]– it just comes out of nowhere. And you might not get it ever. Or you might get it five years later. That’s what it’s for…. So I leave certain things out there, open-ended in space.”

Also, make sure you check out part one of MTV.com’s exclusive interview

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